One of the central ideas of the Iliad is the honor and glory that soldiers earn in combat.
For an ancient Greek man, the ability to perform in battle is the single
greatest source of worthiness. The glory earned by soldiers on the battlefield
enabled them to live on in legend, becoming heroes who would be remembered long
after death. The characters of the Iliad often make
reference to the great heroes of past ages, such as Hercules and Theseus. For
the ancient Greeks, the term “hero” meant something stricter than it does
today: the hero’s military glory could make him nearly as important as a god.
The plot of the poem is centered on the “rage
of Achilles” and the fulfillment of his
glory on the battlefield. Achilles is angry throughout the poem: “Rage—Goddess,
sing the rage of Peleus’ son Achilles,/murderous, doomed, that cost the
Achaeans countless losses,/hurling down to the House of Death so many sturdy souls,/great fighters’ souls, but made their bodies
carrion,/feasts for the dogs and birds,/and the will of Zeus was moving toward
its end.” Achilles’s rage stems from feeling dishonored by Agamemnon, who takes away Briseis, a woman that Achilles has captured in
combat. Achilles chooses not to fight rather than accept what he sees as
Agamemnon’s dishonor “Now I am returning to Phthia, since it is much better/
to go home again with my curved ships, and I am minded no longer/to stay here
dishonoured and pile up your wealth and your luxury.”. Later, when he
rejoins the battle after the death of Patroclus,
Achilles proves he is “the best of the Achaeans” by giving the greatest
military performance of the war and finally killing Hector, the Trojans’ greatest warrior.
From a modern perspective, one might consider
Hector to be a more sympathetic or even honorable character than Achilles.
Hector cares for his wife, child, and city, and works tirelessly to save them
from destruction. Achilles cares only for himself, and spends a large part of
the poem sulking. However, from the ancient Greek perspective, Achilles is in
some sense more heroic or honorable simply because he is the greatest warrior
on the battlefield. Similarly, Paris is a
handsome man and a good lover, but because he hangs back from battle he is
largely the object of scorn, and is portrayed as a ridiculous figure throughout
the poem.
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