Agamemnon is the first play in a
trilogy of tragedies by Aeschylus entitled the Oresteia. Even though
Agamemnon gets a shout-out in the play’s title, Clytemnestra may well be
its most interesting character. By interesting, we don’t mean likable –
after all, technically speaking, she is a liar, a two-timer, and a
murderer. But maybe that’s just part of her charm. We’d better explain.
The first thing we learn about Clytemnestra is from the Watchman in the
opening scene of the play. He isn’t her biggest fan, though he doesn’t
give us any explanation why. Instead, he makes a vague remark about how
the household “is not managed for the best as it was before” . But what
does that mean, exactly? Did Clytemnestra stiff him on his overtime pay
or something?
We might get a hint of what the Watchman
means later on in the play, when the Chorus tells the Herald that
Clytemnestra’s public statements about how much she loves her husband
aren’t exactly honest. Does the Chorus say this because it knows about
her affair with Aegisthus? We aren’t told. If this was common knowledge
in Argos, it is possible that this is what the Watchman is referring to –
though, it isn’t clear how Clytemnestra’s extra-marital love life would
necessarily make her a bad manager of the household.
So, yes, Clytemnestra is having an
affair while Agamemnon is off fighting at Troy. Ten years might seem
like a long time to wait for one’s husband; of course, Penelope, the
heroine of Homer’s Odyssey waited twenty years for her husband to come
back. Everyone thinks she’s exceptional, though. But what about the fact
that Agamemnon had his daughter Iphigenia sacrificed on the way to
Troy, just to get the goddess Artemis to send the fleet some favorable
winds? We can see how that might have made Clytemnestra think a little
less of her husband, and maybe this is why she turned elsewhere for
romance.
When he shows up at the end of the play,
however, Aegisthus seems like a bit of a dweeb. Does this just mean
Clytemnestra has bad taste in men? Or do you think Clytemnestra
deliberately sought out Aegisthus knowing he held a grudge against
Agamemnon because of the crime of Agamemnon’s father Atreus? If so, that
would mean she had been planning revenge against Agamemnon for a long
time and was just looking for an accomplice. Unfortunately, the play
doesn’t give us any firm information about these matters.
What the play does show us is that
Clytemnestra is one accomplished conspirator and murderer. First of all,
there is the deception she carries off, by playing the role of loving
wife in front of the Herald, the Chorus, and Agamemnon when he shows up.
Even though the Chorus tells the Herald not to believe every word she
says, it’s pretty clear they don’t suspect Clytemnestra of being a
murderer. The proof of this comes in the Chorus members’ reaction to
Cassandra’s prophecies, when they go way off track by assuming she is
referring to a man who will kill Agamemnon. Frankly, though, who can
blame them? We don’t think anybody could have predicted the truly
psychotic scene when Clytemnestra reveals herself standing over the
bodies of Agamemnon and Cassandra, and ecstatically describes how
Agamemnon’s blood landed on her like rain on a farmer’s field. Yikes.
We see some more of Clytemnestra’s
psychotic side in the debate with the Chorus that follows, but at the
very end of the play she has calmed down and taken on a different role.
First, she prevents Aegisthus from fighting the Chorus; then, she leads
him inside and tells him that they will be joint rulers in Argos. Joint
rulers? Who is she kidding? With her air of confident authority, it’s
hard to doubt that Clytemnestra will be wearing the crown in their
relationship.
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